Saturday 27 July 2019

List of research trips over last 2 years - quite a few!

Visits  Womanhood exhibition, Cambridge.  2/7/17. Interesting, but very essentialist exhibition of two female artists. Expressed the female condition in glass, print and ceramic.  Brilliantly done, not my taste – too much about blood, feeling drained, mastectomy scars. Narrative of many women’s embodiment. 3 hours

 Giacometti, Tate Modern. 10/7/17.  Sculptures – Man & Woman; Spoon Woman.  Attenuated forms embodied human anxieties.  Extreme reduction enabled a traumatised war generation to recognise itself.    2 hours

 The Hardman’s House, NT. 18/7/17. Photographers who lived ‘over the shop’.  Margaret Hardman married the boss, ran the business, adept at marketing.  Ordinary 1930s lifestyle and flat but very successful.   2 hours

 Beatles Childhood Homes, NT, 19/7/17. John Lennon lived with middle-class Aunt Mimi. She did her best by him, despite him being an intelligent arty boy, unsuited to his grammar school education. Mimi -  Boys from Paul’s estate were ‘common’, from George’s Speke estate were ‘rough’.  Paul McCartney: motivation for guitar “you can’t play a trumpet and sing!”     3 hours

 Speke Hall, NT. 20/7/17 B/W timbered property.  1500s Catholic – priestholes and access or Mersey/Ireland, affluent, much glass and quatrefoils.  Symbolic ceilings – pomegranates, figs, hops, honeysuckle, birds and serpent.    3 hours

 Little Moreton Hall, NT, 21/7/17. B/W timbered property.  Extended many times, much glass.  Allegience to Crown in 1600s led to downfall. Shakespeare meant to have been key visitor.     2 hours

 Peckover House, Wisbech. 22/7/17.  Quaker home. Grocer turned banker, ruthless in business but principled pacifist, became Lord Lieutenant.  Daughter Priscilla Peckover, was leading teetotaller, Esperanto speaker and peace activist, nominated for Nobel Peace Prize 3 times 1903-13 – never awarded (because she was a woman?)   2 hours

 Chris Ofili, Weaving Magic, 7/8/17. National Gallery.  I know why the caged bird sings tapestry.  Drawn in charcoal then w/c wash, green orange purple.  Tapestry weave fantastic to convey the drawing media. Weavers not named at NG.      2 hours

 Festival of Quilts. 13/8/17. Annabel Rainbow Woman series. Beautifully stitched and drawn imagery of nude women with a message about the role and quandaries of making ethical decisions as a middle aged woman.      2 hours

 Coventry Cathedral. 14/8/17. Centre for reconciliation         1 hour

 Black Country Museum, Tipton, 16/7/17. Mary McArthur leader of National Federation of Women Workers. Campaigned for universal female suffrage, and anti-sweating league. 1910 chainmakers strike for more than starvation wages – business responded by mechanisation and contracting out.                                                                                  3 hours

 Wallington, NT, 24/8/17. Socialist leaning Lord Trevelyan, Labour MP, monied from shipping and mining.   Left house to NT, disinherited 6 children.  Old rouĂ©, many affairs, had son with cook, brought up as extra child to legitimate family.  OK with male outdoor staff, but disliked male indoor staff (worried about wife and 4 daughters???).      3 hours

 Devil’s Porridge Museum, Eastriggs, Scotland. 25/8/17 Fantastic exhibition about role of women in wartime, making the explosive mixture for bombs.  Clear stats about women’s work roles and wages before and after WW1.   2 hours

 Kelvingrove, Scotland. 26/8/17 Tapestries from Burrell Collection.  Beatrix Soetkens in Bed – vision of renovating a statue, repatriated to Brussels.  Much symbolism in tapestry – meaning lost to history – keys (responsibility?), belt, scabbard, chamber pot, one boot, bible (faith?), candle (light of world?).           1 hour

Broughton, Kircudbright, NT Scotland.  27/8/17. E A Hornel’s home – Glasgow Boy. Amazing light on west coast of Scotland. Combined impasto impressionism with photo-realism faces.  Child models paid 1 shilling, Mother chaperone 2 shillings.  Sentimental pictures popular in Victorian/Edwardian times.      2 hours 

Cragside, NT.  28/8/17 Fabulously wealthy William Armstrong, engineer/inventor.  Munitions – rifling inside cannons made 57x more accurate.  102 rooms but homely feel. Victorian/1930s.  Unmodernised as money ran out with nephew heir.  10 ton purple marble fireplace built for visit of Prince of Wales – display of money, power, status.   3 hours

 Mr Straw’s House, NT, Worksop. 29/8/17. Fantastic.  In 1939 Two brothers inherited Victorian house, kept in style of 1920s parents – Sanderson, Egypt stair carpet (popular in 1920s), leather pattern wallpaper. Sanderson still had wood print blocks to reprint wallpaper, to repair water damage.    3 hours

 Grayson Perry, The Most Popular Art Exhibition Ever, Serpentine Gallery.  8/9/17 Paint and canvas have had their day – all hail the humble pot!  Battle of Britain (brexit) tapestry shows leaders and remainers divided by railway and motorway, with no-man’s land in the middle.                                                                                                               2 hours 

Traces Exhibition, Snape Maltings 29/10/17.  Supporting fellow female artist friends.  Abstract acrylics, assemblages and prints.  Watched Lori start to shake as she sold 3 paintings in quick succession!    3 hours

London Transport Museum. Poster Girls.  30/10/17. Chairman Pick was keen to have female poster artists in 1920s/30s.  Paid much less than men, but commissioned for sports events poster, not restricted to floral subjects. Women often took male names. Included Laura Knight and Enid Marx   3 hours

 Cezanne Portraits. NPG 4/11/17 Refused conventions to make men look important or powerful, or women beautiful or seductive.  Perceived as combative.   Wife most frequent sitter – always passive.  Maniere Couillard – crude ballsy style.     2 hours

 20thCentury Gallery, NPG.  4/11/17. Rehang.  Shows ‘inspirational pioneers, responsible for devts that transformed Britain’. WWI v few women, only one Sikh man – not even finished! Skewed to WW1.  Cigarette cards – exquisite – but male media? Removed Beatrix Potter, included Roald Dahl as yet another war image.  Not impressed.      3 hours 

Grayson Perry, First Site, Colchester The Life of Julie Cope. 18/11/17. Clever social commentary interweaving observations of evolution of life in Essex over last 60 years with social aspirations and expectations/reality of life. Wonderful woven tapestries      2 hours

 Pippa Davismoon and Charlotte Morrison.  Cambridge Artworks.  Womanhood. 27/11/17. Essentialist – not my favoured form.  Vaginas in glass and ceramic.  Body image, scars and conflicting narrative.  Breast feeding – at least 6 months/not in public; I can’t/cover up.  Surgeons see women’s bodies as object; women see surgery as bereavement.    2 hours 

View Seven, Menier Gallery. Southwark 6/12/17. Exhibition of textile work by women. Clever titles – ‘Blunt your sharpness’, ‘whole’ (mending piece). 

Cardiff Castle, Wales. 10/12/17.  Extravgant Gothic interior.  Marquis of Bute only used for 4 weeks per year, when on mining/docks business.  Devout Catholic, linguist, cultural supporter.  Arts & Crafts and Arabic styles.  Castle given to Welsh people when mines nationalised in 1948.      3 hours. 

National Museum of Wales. 11/12/17.  Terry Setch – Greenham Common women – inclement weather – strength, ingenuity, resilience, determination and power.  Tudor portraits give insight into mines, docks, child mortality.  Impressionist art bequeathed by Davies, mines heiress, spinster sisters – Red Cross nurses, ran WW1 convalescent home.                                                                                                                                      3 hours

 St Fagan’s Museum of Welsh Life. 12/12/17   Open air museum.  Amazing sofa upholstered with petit point squares, embroidered by visiting ladies. Many Welsh speaking staff.  Welsh promoted in schools since Welsh Assembly started.                                            3 hours. 

Paddy Killer, South Shields. 28/12/17 Great exhibition by woman fascinated by family relationships and textiles.  Beautiful drawings of lace, women and cats.                    3 hours

 Blists Hill, Victorian Town, Shropshire.  29/12/17. Phrases from printers workshop – Mind your ps and qs (p and q are easily reversed);  dab hand (dab is an inking mop); out of sorts (need enough of a sort (font) to complete a print), upper case/lower case (capitals kept in the lid of a letter tray, and small letters in the base)             3 hours

 Wightwick Manor, NT, 1/1/18. Amazing manor in high Arts & Crafts style.  Big history of Geoffrey Mander, MP, raising awareness of women’s issues in Parliament. Lots of Art Deco art, and information about key women artists of the period.   3 hours

20thCentury Gallery, NPG 3/1/18. Skewed to 1900-1920. War leaders and Bloomsbury set. Only 33% of images from 1950-2000.  Most images about achievement, power of men and hedonism.  Does not show Captains of industry; social campaigners; sports people; people of faith; or service industries.  Many (Jewish?) intellectual refugees. 3 hours

May Morris, William Morris Gallery. 21/1/18. Amazing stitched pieces  made by her.  Supported her father’s business and followed his views on beauty, respecting skill and colour trends.     3 hours

 Votes for Women NPG, 26/1/19 Suffragists, Millicent Garrett Fawcett – non-violent; Suffragettes, Emmeline Pankhurst – violence and vandalism.  Women’s Freedom League resistence and peaceful protest. Working class women prisoners force-fed; aristocrats not. Many interesting women – but only Emmeline Pankhurst available as postcard! 2 hours

 Hackney Museum.  8/2/18 Women’s achievements.  Amazing exhibition about women campaigners for rights of ethnic minorities, unions, childcare, trans people.  Showed how it was a continual battle to get people who were not white, straight, men to be treated fairly … and valued at all!.         3 hours

 Glasgow School of Art Tour. 24/2/18.  Lots about Rennie Mackintosh art nouveau – praises the female soft curves contrasted with strong uprights.  Female oval over entrance to Ladies Art Society premises.  Margaret MacDonald made everything herself – no contracting out.  “I have talent but Margaret has genius.”     2 hours

 Scottish National Gallery. 25/2/18.  The Ladies Waldegrave.  Sir Joshua Reynolds.  3 sisters winding thread and doing tambour lace – active and educated.  Descriptor is appalling.  Says they are daughters of an Earl, commissioned by their uncle Walpole from Reynolds.  Only one of the sisters, Lady Anna Horatia gets named!    1 hour

 Pauline Burbidge and Charlie Poulson. Songs for Winter.  25/2/18. Monoprint grasses printed on fabric and quilted.  Big, bold shapes. Lots of continuous line, in drawing, resembles lines of stitch.  Things you cannot actually see – eg growth.    1 hour

 Kelvingrove, Scotland. Decorative arts strongly associated with women.  Jessie M King – dressing table set, silver and enamel.  King was the only Glasgow Style artist to design for Liberty & Co commercial range of enamelled jewellery.                                                 1 hour

 Riverside Museum, Glasgow 3/3/18.  Transport Museum.  Modern social take on transport.  Includes Wilton coachbuilt prams; bicycles; wheelchairs; skateboards; fairgrounds; horses and car races.  Stories of deaf carpenter, Asian bus drivers, poverty and pawnshops. 2 hours

 Charles I King & Collector, Royal Academy, 5/3/18.  Collections formed by opportunity, fashion and personal taste.  Affluent portrait of woman with blackwork collar – different pattern inside collar to outside.     1 hour

 Hanbury Hall, NT. 6/3/18.  "Women make over 50% of population but less than 0.5% of recorded history, especially working class women."   Harlot’s progress by Hogarth virtually unknown, yet Rake’s Progress is known!     2 hours

 Baddesley Clinton, NT, 7/3/18.  NT Women and Power exhibition advertised but nothing about women here!  Naff.        2 hours

 Birmingham Back-to-Backs, NT, 8/3/18. NT starting to tell narrative from the standpoint of the powerless. Fascinating. Jewish watchmaker and jeweller – Levi; George Saunders, Caribbean tailor (told ‘the job’s gone’ because he was black); Eliza Wheeler, gin dealer and wire drawer.  Inward facing courtyard homes cheaper as less fresh air than outward facing.   2 hours

Redditch Needle museum. 6/3/18  Needle making a key industry in this Victorian town.  Incredibly harmful to health, largely women’s work.  Very highly skilled processes to make all sorts of needles – sewing, embroidery, sailing, upholstery, hypodermic.  Highly skilled product  now taken for granted.      4 hours

 Scottish NPG, When We Were Young 10/3/18.   Narrative of social issues for the young, from deprived areas.  Victorian to modern day family photography, campaigning. Edith Tudor Hart – women’s medical services, by women for women; post WW2, concerns about fatherless boys drifting into crime.   1 hour

Monet & Architecture NG, 27/4/18.  Visual identification of landscape by scale of spires.  Direction of travel and scale indicated how far away/how long it would take to arrive.  Suggests identity, time and distance.   2 hours 

Giants of Victorian Photography.  NPG 11/5/18. Naff.  Poorly explained.  Everything referencing Lewis Carroll stressed the children in his shots were ‘mostly chaperoned’ but did not actually deal with his alleged paedophilia.  Why the historical veneration of Lewis Carroll?      1 hour

 Tacita Dean.  NPG 11/5/18.  Naff.  Unclear purpose.  No explanations.  Strange videos/ films.  Very few attendees.    1 hour

 LAM. Musee d’art Modern, Lille, France. 29/5/18.  Many Fauves, Modigliani, Braque.  Psychiatric patient Le Clerq made embroideries on military/religious/erotic themes from salvage materials from the laundry.  Donated to Dr Jacqueline, head doctor in 1966. 2 hours 

Grayson Perry exhibition, Firstsite Colchester. 12/6/18 Great exhibition of Maldon tapestries and other works.  Represents the Essex hinterlands very well, and narrates modern life stories, of people surrounded by the reality of their artefacts and environment.      3 hours 

Stoneywell National Trust, 6/8/18.  Arts & Crafts house with exquisite furniture.  All have mortice and tenon joints showing, for integrity of making. Wooden chest carved end panels – fritillary; oak; strawberry; currant; laurel; honeysuckle; carnation.  Knitted cotton coverlet – leaf pattern set on point.     3 hours


 62 Group exhibition, MAC Birmingham.  10/8/18 – Caren Garfen’s hospital beds, all different sizes in minature, all sorts of heartwrenching comments on them about the experience and reality of suffering from anorexia.       2 hours

The Coffin Museum, Birmingham.  11/8/18. Newman Bros made coffin furniture and linings.  Could provide coffin linings in Aston Villa colours.  Joyce Green worked way up from clerk to owner, by share bonuses and inheritance from Director.  Refused 1.2m from redevelopers, sold for £400,000 once it was Grade II listed/an industrial history museum.  2 hours


Edward Bawden, Dulwich Picture Gallery.  23/8/18. As wartime artist, paints all grades, notes names, grades and nationality. Combines lettering and imagery in early work. Wonderful blotter – pattern and doodles – normally valueless, beautiful detailing, yet preserved!   3 hours 

Do I have to draw you a picture? Heong Gallery Cambridge.  1/9/18 Bob & Roberta Smith – letter to Gove – good sentiment but too much to read. Louise Bourgoise prints lovely – but gallery statements obtuse, did not add to viewing experience.     2 hours


Lyveden New Build, NT, Kent 10/9/18.  Catholic Pattern and symbolism.  Symbolism is clear to those who understand it.  I’m not Catholic so I don’t.  Is symbolism designed to exclude? Is this a good thing – to select the audience, or not?       2 hours

Ightham Mote, NT, Kent 14/9/18.  Pattern and narrative.  Sunflower pattern on carver chair.  Indicator of power and status of person who sat in it? And fecundity from offsets on sunflower?  Symbolic of powerful person in his absence, when he’s not sitting in it?   2 hours
 
Knole, NT, Kent 14/9/18. Women and Power theme.  Loved Lubaina Himid’s imagery of the ‘blackamoor’ laundrymaid Grace Robinson on the downpipes that collected the water for her skilled labour – washing high status collars and cuffs.                                               2 hours
 
Stoneacre NT, Kent 15/9/18. Velvet curtains, printed with Angel and Trumpet.  Other site of this hand printed fabric is V&A. Lyon sisters hand sewn samplers with multiplication table by Christianna Lyon fecit 1819.  Fecit means s/he made it - stitch or arithmetic?          2 hours
 
Smallhythe, NT, Kent 15/9/18 Ellen Terry, Shakespearean actress.  Costume style from Aesthetic movement – loose and comfortable, enabled free movement on stage, worn while pregnant.  Beetle dress (Lady MacBeth) uses beetle wingcases to sparkle in the limelight.                                                                                                                                    2 hours
 
Bateman’s, NT Kent 16/9/18 Rudyard Kipling’s house.  Associated with strong women all his life.  Women & Power reinterprets wife from a controlling shrew, to a woman who defended Kipling from the demands of unannounced visitors and ran his household to enable him to concentrate on his work.  Also reinterprets The Female of the Species.    3 hours 

Monks House, NT, Kent 16/9/18. Virginia & Leonard Woolf’s house. Good explanation of her bi-polar disorder (paternal genetics). Manic when writing, depressed when published. Ran Hogarth Press.  Covered books with hand watermarked papers even when ill.  2 hours
 
Petworth House, NT. Elizabeth Ilive.  Female heiress, betrothed at 3, to protect inheritance. Multiply married. Invents cross bar lever to aid moving rocks, to till soil. Researches potatoes – her work, head gardener gets credit. Mrs Elizabeth Purser. Housekeeper.  Identified by bunch of keys – responsibility.  Hires, fires, supervises staff.  Maids who handle fine china get paid more.Dowager Lady Egremont. Death duties of Lord Egremont led to Petworth being given to NT, and art to Govt in lieu of tax.Lady Lucy Percy. Lady of Bedchamber to Q Henrietta Maria. Plays on both sides of Royalist/ Parliamentarian divide.Lady Elizabeth Percy. Married 3 x by age 15.    4 hours
 
Raw Materials, Valance House.  20/9/18. Textile industries in East End, Russian Jews, unemployment, attempts at unionisation to improve conditions. Salvation Army Knitting Home provided accommodation & employment for destitute women.    2 hours

Virginia Woolf: An exhibition inspired by her writings.  Fitzwilliam Museum.  28/11/19. 2 kinds of equality – one where women gain admittance to the world of men (vote, education, financial independence) or remodelling society to allow men and women to live on own terms.    2 hours 

Women, Power, Protest. Birmingham Art Gallery.  12/12/19. Mary Kelly Post Partum.  Not about competing with men.  More about the reality of her life.  Not sweet scented and sentimentalised.  About her reality – complex, unsavoury.  Humanist?      3 hours

 Irish Linen Centre, Lisburn. 2/1/19.  Cottage industry.  Women did yarn prep, men worked loom, land and marketplace. Webster is a weaver, web is finished cloth.     2 hours

Mount Stewart House, NT. Ulster  3/1/19. Women and Power. Included working class and gentry. Gave pro and anti-suffrage views of women. Anti-suffrage wanted status quo to continue. Pro-suffrage wanted women’s lives to improve.                                        3 hours

Fashion & Feminism, Ulster Museum. 4/1/19 Rational Dress Society campaigned against harmful dress fashions.  Late Victorian – too much corsetry; 1920s promotion of soft, uncorsetted, bias cut, post-war New Look – rehashed corsetry, goes back to women as decorative – and passive because they can’t move!                                                      2 hours

Making Her Mark: Women Printmakers from the Ulster Museum Collection.  4/1/19.  Women artists known for their relationship to an artistic man, not their own work.  Women used art to communicate wider public views that would be dismissed in wider (male) journalism (Lady Butler). Women have to join female groups in order to get their work shown and sold.   2 hours
 
Edward Byrne Jones, Tate Britain.  29/1/19 Stitching exquisite.  May Morris. Really dislike his portrayal of women – languid, beautiful, sexualised powerful predators.  Men victims of female power and desire.  Yuk.                                                                                   2 hours
 
Louise Bourgoise, Kettles Yard.  30/1/19. Don’t really get her work. Beautifully made bronze double breasts object.  Textiles look unfinished.  Poor gallery statements.        2 hours 

The Beautiful Stitch, Embroiders Guild.  8/2/19. Embroidery as art; education; fashion; industry; status.  Industry is both personal and commercial.  Quaker sampler  “speak well or speak not at all, that no-one may be the worse for what you say”. Religious repression of women! Education Act 1902 needlework and cookery compulsory for girls only.                                                                                                                  2 hours

 Hannah Hauxwell Quilt Auction, Leyburn.  9/2/19. Fascinating auction of traditional thrift quilts and knitting sticks made by her family.  Many items bought by textile dealers - will remain in the area. Double the prices anticipated. Some pieces went to Australian collectors, esp knitting sticks.  Good to see her stuff valued and collected, but probably influenced by power of television, documentary Too Long A Winter.     4 hours

National Railway Museum, York. 10/2/19. Ambulance trains WW1.  First Ambulance trains organised by rank, expects casualties in same proportion as ranks. Officers segregated from men by door (limits air circulation!) Later trains organised by lying down cases, sitting up cases and secure mental cases. Quakers ran 4 out of 12 trains.  Woman nurse featured.                                                                                                                                    2 hours

 Martin Parr, Only Human, NPG.  12/4/19 Photos as social document, artistic commentary and performance.  Questions purpose of social events.  Phenomenon of Britishness is different for the British abroad.  Expat communities - white privilege is out of step with contemporary British life.        2 hours

 Sorolla Spanish Master of Light.  National Gallery. 28/5/19. Paints family mostly in manual work, plays with light and movement.  Social themes: criminality, exploitation of labour, disease. Viewers preferred looking at pretty/family images not sad ones.  Wall panels in both Spanish and English, huge attendance by Spanish extended families.       2 hours

 Faith Ringgold. 6/6/19 Images from black woman’s perspective.  Powerful narratives of black women – raped by white men, Tar Beach (holidaying on tenement roof).  Black slaves allowed to makes quilts to keep master warm.  Much text in art.         2 hours

 Claudette Johnson.  I came to Dance.  Modern Art, Oxford. 13/6/19. Amazing show of large drawings of black women.  Allows sitters to take up space in a way that reflects who they are.  Gestures go outside the frame.  Raised arm both assertive and vulnerable.   2 hours

 Lee Krasner. Barbican.  3/7/19. Very diverse media.  Different phases of life, mourning period after Pollock’s death. Cuts old drawings for later works. Very large.      2 hours  

Invitation List

FOTS groups (2/8) done

Family:
Doreen (26/7)
Barbara (26/7), Marion, Elizabeth (2/8)
Neil, Allison (6/8)
David, Shirley (2/8), children, grandchildren
Barbie & Gill
Angela, Christine, Sue

Maurice (2/8)
Bob & Marion (5/8)

Related to subject matter:
Anita, Miranda
Gifti, Mavis and Sarpong, Andrew, Samuel, Robert

Swimming:
Sharon Cromie and Becky (4/8)

WI groups in East London (5/8)
Embroiders Guild
Warners Textile Archive
Braintree Museum

Libby Smith
Carol Dixon 6/8

Assessors: David Vaughan, Kollette Super, Jill, Imogen.  (2/8)

Former Tutors:
Caroline Bartlett (4/8)
Louise Baldwin
Flea Cooke (4/8)
Antje Illner (4/8)
Linden Reilly (4/8)
Lewis Jones (4/8)
Lisa Hill (4/8)


Colleagues:
Denise (2/8)
John Frankland (4/8)
Monika (6/8)
Jan Mace (5/8
Pat Walsh (6/8)
Steve Cat (5/8)
Grace Kelly (5/8)
Esther (2/8)
Erica (2/8)

Braintree Easy Riders (4/8)

Angela Grimley

Judith Garfield, Eastside Community Heritage (4/8)
Rachel Crossley, Fani Arampatzidou, East End Women's Museum (4/8)
Mary Schoeser (4/8)
Kate Wigley (4/8)

Braintree & Witham Times

Lindsey & Paul (4/8)
Sharon & Steve (4/8)
Di & Nigel (4/8)
Ann & Malcolm (4/8)

Poetry class (5/8)
Check log books for other people I've met.

Kit list for exhibition

Message Board
Ribbon
Drawing pins
Hammer
Scissors
Index cards
Spirit Level
Marker pens

Plinths
Plinths
White emulsion
Paintbrush
Rubber gloves (for grip when lifting)
Latex gloves

Samplers x 5
Foamboard
Sticky fixers
Scalpel/stanley knife
Dressmaking pins
Iron
Towel

Artwork - see artwork list
bulldog clips
Panel pins

Framed Jacobean and Montenegrin samplers
Screws/nails
Hammer
Screwdriver
Spirit level
Drill ?
Awl

Art Materials
Coloured luggage labels
Plain luggage labels
Black pens
Letter sketchbooks
Metal rings

Artists Statements for samplers and artworks
blutack
Foamboard with statements attached

Artworks

Car Seat Templates
Pay Packets
Payroll
Key Fob

Cleaning Bottles

Cyanotypes

The Caring Hand of Mother

4 x concertina sketchbooks

Refreshments

Water
Snacks
Lunch

Business cards
Pencil case
Sellotape
Brown tape
Needles and thread

Dress
Posh shoes
Comfortable shoes

Toilet bag
Toothbrush
Toothpaste
Deodorant
Plasters
Hand cream
Aspirin
Make-up
First aid kit

Thursday 25 July 2019

Draft Artist statements

Concertina Sketchbooks

Toilet Cleaner Sketchbook

This concertina sketchbook depicts the tools - toilet brushes, rubber gloves and warning triangles, and materials - cleaning fluids and toilet paper, that are continuously used by the toilet cleaners, while reflecting on typical rates of pay for this group of staff.  Actions such as scouring, scrubbing, tearing and splashing give an energetic feel to the work.  The use of a poem at the end creates a powerful insight for the viewer, bringing realisation that the work of these staff is essential and valuable.

Ford Machinists Sketchbook

The Ford Machinists strike in 1968 was a dispute about job evaluation and skills, not pay.  The machinists had to pass 3 skill tests to be graded as unskilled. Men only had to pass 2 tests to be graded as semi-skilled. The strike led to the Government Scamp Inquiry, where on the grounds of confidentiality, Ford refused to reveal the details of job evaluation scoring.  The Scamp Report, 1968, noted Ford had been inconsistent in its job evaluation process as some men's grades had been appealed and upgraded without due process, yet it refused to consider the women's case.

Status and Values Sketchbooks

Sketchbooks are a useful tool to expand one's thoughts, opinions and understanding.  My first attempt to depict my values identified that I had focussed on status issues - education, employment and home ownership, which were my Mother's value system - not my own!  The second attempt considered principles or ideals that are important to how I lived my life - arguing to support others, pushing my boundaries, and enjoying education.

Argumentative Woman 
Cyanotype print on dressmaking instruction sheet

Non-standard Use of Directions and A Traditional Woman? use cyanotype (blueprint) to contrast traditional female skills, such as dressmaking, with a non-traditional, assertive woman stance in silhouette.  The female silhouette is an unclothed woman which raises questions for the viewer about whether a nude image is always sexualised.  It is the artist's view that this silhouette is not sexualised because there is no gaze from the image, and the posture has hands on hips, saying 'don't mess with me'.

Homemaker Woman
Gloving leather and found paper on dressmaking pattern pieces

The Caring Hand of Mother is a collection of artworks made on the pattern pieces of a 1950s toddler's coat pattern that Aunt Joan saved from her children's clothes.  Each pattern shape has been amended with an additional piece, significant to her conduct, to indicate her skills, thrift and care.  The gloving leather shows how she would have lifted a child to comfort him/her; the paper patches indicate her repairs to hard wear on her son's clothes, and the square leather patch represents the many plasters she loving applied to grazed knees.

Migrant Worker Women

Cleaning Bottles are a series of works drawn with an identity card, an essential part of the cleaners' kit, which demonstrates their entitlement to work at that site.  Repeatedly drawing the same bottles, from different angles, mimics the repetitive actions of the cleaners.

"Vulnerable while doing my job"

When cropping a drawing, a nozzle from another cleaning bottle appeared in this image.  This nozzle looked suggestively phallic.  I had interviewed Sarpong, and she told me she had been very upset the previous day, when a pervert had exposed himself to her.  The image could have been further cropped remove the nozzle, but it was retained to allude to, and publicise, the unacceptable treatment that is targeted at vulnerable lone workers.

Manual Worker Woman

Payroll

Blue carbon paper on Izal toilet roll

At Ford, the machinists were the first group of staff who had their roles outsourced. Ford treated their female staff as a commodity that could be used and discarded.   An Izal toilet roll is made from hard, industrial quality paper; has sheets which are a similar size to payslips; has repeating shapes, symbolic of the repetition of the production line; and is designed to be used and discarded.  Ford's abject treatment of their Machinists is represented symbolically on a toilet roll from the 1960s.

Pay Packets
Red dressmakers carbon on pay envelopes

20 pay packets depict the tools and equipment used by the women, making 20 seats an hour.  The Ford Machinists strike was a grading dispute, that achieved a small pay rise, but did not gain recognition for either their skills or productivity. The semi-skilled machinists were only ever paid 7% less than the lowest unskilled male grade.

Key Fob

The key fob is a novel form for a sketchbook which focuses on small details of a larger object.  Small pages create intriguingly vague imagery, but the scale of the sketchbook makes it an appealing object.

Car Seat Templates
Machine stitch, found fabric and dressmakers carbon on brown paper

The car seat templates give an unconventional format for a sketchbook.  The signifiant stitching skills of the women are demonstrated by the cording foot drawn large.  The distinctive shapes and industrial quality of brown paper and carbon paper convey the environment of the production line.

Montenegrin Sampler

The coloured Montenegrin sampler was worked to gain tactile understanding of the advanced stitching techniques used by 17th century middle class girls.  Montenegrin stitch is a very complicated stitch which varies according to the direction of working and angle of corners.  Working the sampler gave understanding of how the embodiment of 17th century embroidery - sitting still, with head bowed precluding eye contact, quietly and diligently working with a socially acceptable purpose - complied with paternalistic control of middle class girls.

Jacobean Sampler

The blackwork Jacobean sampler demonstrates how symbolism was used in the 17th century. The butterfly and caterpillar represent Charles I and II; the tree represents the Boscobel Oak in which Charles II hid; and the acorn represents the potential for the Royal line to continue.  All parts of the design are symbolically relevant even if the meaning is lost to history (the snail and dragonfly), or is open to speculation, such as the possibility that the borage flower represents courage.

Tuesday 23 July 2019

Private View welcome

Welcome
Introductions - me and Darren/Vanda
Thanks - Jim, tutors, art class
Purpose of PV:
- to celebrate the end of 4 years study;
- to show work - Stitching (In)Significant Women
- to meet other people, look at art, drink coffee, eat chocolate and have a good time

Purpose of Art - to communicate human experience

Women - valued differently to men.
Museums - show men with power and status, women as sexualised, passive, submissive
I see things differently.
Not about The Great and The Good.  Not women as pseudo-men
What do women do? Mundane? Ordinary?  Under-valued?  Unnoticed?

Explain samplers - start with working class alphabets, imagery and a verse.  Strongly female - good for art about women.

Explain my process:
Idea for Migrant Worker Woman came when walking through Liverpool St station.
Particularly pleased to welcome Gifti, Mavis and Sarpong.
Floated idea with Samuel - who thought it was so wonderful he hugged me.
Interviewed M, G, S
The power of art - drawing mundane cleaning bottles; cropped image - accidentally communicates human experience - nice, and otherwise!
Sketchbooks enable a narrative.  - Different types of sketchbook - format adds to narrative.
Work up into concertina sketchbook
Read Oulipo poem
Wrote verse, translated into Twi by Robert
Important things at top - Twi alphabet and verse at top.
Robert to read Twi verse to G, M, S.
I read out verse in English.
Medasi (everyone to say it)

My work is about women known to me, therefore no matter how much I have tried to take others's views into account, is from my perspective, and includes values important to me.
Please think of women important to you, and add them to the message board. Use the format of the sampler verse - My (relationship to you) (name); Can (list 4 reasons why you value them).

So please, look at the work, talk to each other, drink coffee and have a good time.

List of artwork for exhibition



Artwork
Display means
Comments



Mrs Konieczny 


Sampler – 33 x 99cm
Pinned on foamboard
All samplers to be grouped together?



Cathy MacTaggart


Sampler  - 33 x 99cm
Pinned on foamboard

Cyanotype 20 x 50
Hanging – 2 bulldog clips

Cyanotype 50 x 15
Hanging – 2 bulldog clips

Values Sketchbook 20cm x 350cm full length
Plinth
Originally I considered shelving – can’t secure well enough to chipboard walls
Status Sketchbook 20cm x 350 full length
Plinth
What size/weight?  
15cm deep x 150 long x 100cm high?



Aunt Joan


Sampler – 33 x 99cm
Pinned on foamboard

Thread Sketchbook, 
24cm x 17cm
Hanging – 2 bulldog clips

The Caring Hand of Mother
52 x 12cm facing
Hanging – bulldog clips

The Caring Hand of Mother                        50 x 24cm left front
Hanging – bulldog clips

The Caring Hand of Mother                                                 50 x 24cm right front
Hanging – bulldog clips

The Caring Hand of Mother                                       18 x 10cm collar
Hanging – bulldog clips

The Caring Hand of Mother                                              37 x 17cm. facing
Hanging – bulldog clips




Gifti, Mavis and Sarpong


Sampler – 33 x 99cm
Pinned on foamboard

Toilet Cleaner sketchbook 20 x 350 full length
Plinth
Size: 15 x 150 x 100cm ?
Cleaning bottles 59 x 28cm
Hanging – bulldog clips

Cleaning bottles 59 x 42cm
Hanging – bulldog clips

Cleaning Bottles 59 x 42cm
Hanging – bulldog clips

Cleaning Bottles 59 x 42cm
Hanging – bulldog clips




Aunt Daisy


Sampler – 33 x 99cm
Pinned to foamboard

Ford Machinist sketchbook 
20 x 350 full length
Plinth
15 x 150 x 100 cm ?
Key fob sketchbook 
22cm diameter
Plinth
40 x 40 x 100cm ?
Car seat template sketchbooks


Back 79 x 39cm
Hanging – bulldog clips

Left side 78 x 15cm
Hanging – bulldog clips

Top 45 x 15cm
Hanging – bulldog clips

Right side 78 x 15m
Hanging – bulldog clips

Pay Packets 55 x 55cm
Hanging – blutack

Payroll 11cm x 8cm diameter
Plinth
40 x 40 x 100cm ?

Embroidery
Montenegrin sampler
Jacobean sampler



Framed 
Framed


36 x 30cm
33 x 30 cm