Caroline suggested drawing round the car seat parts on tracing paper, and trying out the spacing on overlays on the concertina, before actually drawing on it. She was right. I bought some carbon paper from the shop, and it gave the right industrial feel to the work. I decided to work in multiples of 10, half a shift's work. I put the individual pieces stacked, more or less together.
Left hand side of car seat surround |
Top of car seat surround |
Right hand side of car seat surround |
Centre panel of seat |
Top and right hand side |
Left, right and top sections joined |
Top, left, right, centre panels joined, with top stitching |
Whole car seat, with quilting on centre panel. |
I think the words I wrote in Caroline's 4 categories are useful. I will come back to them.
Process
Overwritten
Fast
Repetition
Skilled
Machine Operators
Manual Work
Stitch
Overlock
Pushing
Forward movement
Ingredients
1968\1984
Repetition
Banging them out
Piecework
Day-Night
Dagenham
Production
Deceit
Hidden
Concealment
Grading
Equal Pay
Quality
Robust
Tough
Energetic
Accurate
Hard for Workers
Soft for Customer
Display
Ordered?
Not sure about this one.
Display always leaves me confused and feeling incompetent
Other ideas from the class:
- Try mark making from different grades - unskilled B and skilled C
- Trade Union banners. How would I make one for this subject?
- Look at Tate Modern - Margaret Harrison, Mary Kelly and ... Women's timesheets
- Sometimes the text becomes the title of the work.
- Concertina sketchbook. Two sides of the same story -
Management -v- union
Women -v- men
Women -v- union.
No comments:
Post a Comment